"Born from scattered fragments, gathered by unseen hands, the Serath Eilun is the reflection of a threshold few dare to name."

The Serath Eilun is not a book in the traditional sense. It is a disordered yet captivating collection of texts drawn from disparate sources: excerpts from travel journals, isolated quotes from forgotten encyclopedias, marginal notes on dusty manuscripts, transcriptions of oral testimonies, and even fragments of prayers or visions recorded by wandering monks. Despite their differences in style, era, and origin, these documents share a common thread — enigmatic references to two entities that seem to embody the boundary between what is and what is not: the Lady in Black and the White Dragon.

There is no official or definitive version of the Serath Eilun. Every known copy is different, as if the text reshapes itself depending on who reads or transcribes it. Some fragments are long and detailed, others no more than a phrase, a whisper, a name carved in stone. In some cases, the entire reference to these entities is reduced to a footnote, a marginal illustration, or a hastily recorded dream.

Legends tell that it was Eilun — a figure shrouded in mystery, perhaps an archivist, perhaps a visionary — who first gathered these fragments. No one knows who Eilun truly was, or if they ever existed. Some believe the name is symbolic, others say it was a title passed down. Yet in every version of the Serath, the name appears, like an echo reverberating through time.

The meaning of the title itself is debated. “Serath Eilun” is often translated as Echo of the Shadow, but the languages from which it derives are lost, and every interpretation remains speculative. What is certain is that the text does not tell a linear story, but rather a mosaic of experiences, visions, and intuitions that brush against the boundary between life and death, reality and dream.